The new and refreshing crop of domestic dramas, comedies, and independent films presenting a nuanced portrait of Black life that have debuted over the last year herald a bold new vision of what popular culture can do. For the first time I find myself with almost more good television or streaming shows showcasing Black folk and Black life as complex, and terribly beautiful than I can watch.

The new shows like Insecure On HBO, Queen Sugar and Greenleaf on OWN, Atlanta on FX, Underground on WGN, the first show that gave me hope Being Mary Jane on BET, and independent films like Moonlight and Birth of a Nation reject the idea that Black life has to seen and interpreted  through and for “the white gaze.” All these narratives assume that Black lives are complicated yet redemptive and extremely interesting. Mainstream television has generally simply not gone there.  This is what a T.V.  revolution looks like

We are a long way from Amos and Andy and Beulah, (stereotypical Negro comedies of the fifties) and even Good Times and Different Strokes (stereotypical Black comedies of the seventies and eighties). For most of the history of African Americans on television we have had to be either funny or furious. Shows featured tyrannical overbearing Black women, deadbeat shiftless absent dads and much ghetto pain. Of course The Cosby Show and A Different World were groundbreaking exceptions that literally changed Black viewers, especially young Black viewers, aspirations and dreams.

These shows (notably all those I cited are on upstart independent smaller networks or on cable) reinforce what Black folk already know, we fall in love, succeed, fail, we are more than history, statistics and we are flesh and blood and our stories are addictive. The shows and movies I have cited have an enthusiastic and committed Black following and I feel they should be required viewing for White Americans. At a time when studies show that as a nation we are more segregated in our neighborhoods and schools and in our patterns of socializing than in 1965, segregation is why White kids from affluent homes come to liberal colleges and end up calling their Black classmates the N word. It’s too easy to demonize what you do not know. Popular culture matters!

Let’s look at these shows, tweet about them, discuss them and let the networks and streaming platforms know we want more. This cannot be a fad. It has to be a new day.